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Post by hannahboe on Sept 16, 2013 19:33:58 GMT
I have to agree with some of the earlier posts in that rituals or habits are comforting for people. The narrator of "Cathedral" seems to be an entirely static character until the end of the story when he is drawing the cathedral and a huge contributing to his static character is his tendency towards ritual. He seems to be satisfied with his life of work-home-dinner-dope-sleep, and is greatly unsettled by his wife having her blind friend over. I don't think the narrator sees Robert as a threat to his marriage or his life in any way other than the disturbance he causes to the order of his life. Perhaps his reaction would have been less severe if Robert wasn't blind. This factor threw the narrator so far out of the norm of what he sees and who he encounters in his life that it caused some disturbance to his ritual. I think that setting the narrator up as a static character whose habit-oriented life is upset makes the ending so much more powerful. It is at the end of the story when the narrator draws the cathedral with Robert that he realizes a new perspective which he would never have seen if his ritual was not turned on its head.
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Post by samwerner on Sept 17, 2013 0:50:10 GMT
Rituals are comforting. Whether it was the ritual of staying up late smoking dope, or an activity slightly more legal, there is something inherently safe that all of us find in our ritualistic habits. In the same manner Carver went about skipping over the use of names in the story, stepping away from ritual can lead us to opening our perspectives and broadening our views. I think Carver uses the blind man to point out the idea that we must not be stuck in our ways. It's an "in with the new, out with the old" type of notion that can result in expanded attitudes towards a multitude of life issues.
Conversely, creating a new type of ritual is also important. The narrator lets Robert join in on one of his rituals. By mixing the new and the old, he is able to open his eyes a bit. Carver may not necessarily agree that rituals keep us too grounded in one mode of thought, for it is the small addition to a simple ritual that completely altered the way the narrator thought.
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Post by anaritter on Dec 19, 2013 4:04:30 GMT
Like Sam said, rituals are interchangeable with comfort and a sense of security that is essential to human happiness, to a certain extent. If we know exactly what we'll be doing, we have that to cling to, no matter how much the rest of our day varies, from strange to boring to bad. But there's a danger in rituals and too much comfort. The narrator is hostile to Robert because Robert is in a minor way disrupting his routine, which he needs to be happy and sure of himself, his life, and his relationship with his wife. The narrator can't handle a minor change because he is so set in his rituals, and this is more dangerous than helpful. We use rituals for comfort, but sometimes the comfort that we're searching after gets in the way of us attaining a higher level of happiness.
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Post by adamgrace on Dec 19, 2013 4:46:40 GMT
Rituals appear all across the wide spectrum of human beings. From religious sacrileges to pilgrimages to even simply things that allow people to connect such as music. Cathedrals themselves are places of pure human sociability. People who may be struggling with their life may find refuge in places like cathedrals. They're home to rituals that anyone can partake in. These rituals, no matter your specific religion, are benign to any functioning human's psyche. Carver utilizes the concept of rituals in aiding to further his character development. The narrator seems distant and jaded compared to the blind man. Their relationship presents an interesting dynamic between being able to see and being able to see. Through the ritual of drawing the narrator helps the blind man to see, while the blind man helps the narrator be able to see.
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Post by danyhong55 on Dec 19, 2013 10:37:56 GMT
Rituals are, in essence, the basis of the character's status quo. As many people have said before, rituals are comforting, that they help people to cope with what happens in their lives. I would like to "dance" with this idea as I think that perhaps the psychological implications of the characters is deeper than simply coping. I said in class one day that people don't change, partly because I wanted to incite a little conflict in what was a somewhat-bland conversation. I also said that with the axiom in mind that people don't like change, that they like things to stay the way they are. We like things that are the same because that way, we know what happens, and will happen. We love to know because there is no uncertainty, nothing to fear or worry about because you already know the end. This is a huge reason we don't like change. Which also brings us to the man's disdain for Robert coming over. For years, Robert was simply a distant confidant and friend of the man's wife. That way, the man knew that the relationship wouldn't be physical--it never was beforehand and nothing's changing when it was just tapes--and it would be that way if the relationship remained purely tapes. If Robert comes over, what would happen? This question plagues the man because it breaks pattern and is unpredictable.
But sometimes, change is good. It gives a new perspective and knew expectations. Before, we feared and worried about the outcome of a new action or event; that's why we didn't like the new event. But now the new event is no longer new, and now part of the status quo we know, to a certain extent, know what will happen, putting our minds at ease. Also, new events open up our eyes to things previously unseen because we never dared to go out of our comfort bubble. When the man was helping Robert "see" the cathedral, the man sees Robert as more than a disabled acquaintance of his wife. He also is open up to the world of blindness and how it affects people and their ability to function and perceive the world. Rituals are meant for comfort and perhaps, in a religious context, to accomplish a goal. But sometimes, its best to create new ones and even break down some old ones to broaden our view, to be brought out of the shadow even if we may fear the light.
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