Post by davidqin on Jul 26, 2013 1:12:39 GMT
Gardner does a fantastic job building an image of the vast Nordic wildernesses for us, pure at first, yet slowly tainted by human activity. Here's a few examples so we may all benefit:
It's a skillfully-constructed setting that lends itself to the various contrasts in the novel, such as Grendel and the desolate wilderness on the one hand, with the "civil" Danes and their puny creations of architecture and infrastructure on the other. But as I read this book I could not stop noticing a maddening jumble of anachronisms wherever I went. See here:
I've read Amy Chen's What are these metaphors? (Shout-out to Calc students!), and though I think sometimes Gardner's metaphors get the meaning across to the reader, I agree with Amy in that some of the metaphors simply do not work. In my case, I believe they don't work because of the sheer inconsistencies and anachronisms presented to the reader, who reads this book with more or less an expectation of a narrator firmly limited in his knowledge by the world around him.
What is your opinion on the anachronisms, anatopisms, and other inconsistencies in Grendel? Do they ruin the reading for you, or do they add enough to the text to outweigh any distraction they've created?
- "I can see for miles from these rock walls: thick forest suddenly still at my coming - cowering stags, wolves, hedgehogs, boars, submerged in their stifling, unmemorable fear; mute birds, pulsating, thoughtless clay in hushed old trees, thick limbs interlocked to seal drab secrets within" (11)
- "Sometimes I watched from the high cliff wall, where I could look out and see all the meadhall lights on the various hills across the countryside, glowing like candles, reflected stars" (37)
- With respect to human expansion: "They hacked down trees in widening rings around their central halls and blistered the land with peasant huts and pigpen fences till the forest looked like an old dog dying of mange. They thinned out the game, killed birds for sport, set accidental fires that would burn for days. Their sheep killed hedges, snipped valleys bare" (40)
It's a skillfully-constructed setting that lends itself to the various contrasts in the novel, such as Grendel and the desolate wilderness on the one hand, with the "civil" Danes and their puny creations of architecture and infrastructure on the other. But as I read this book I could not stop noticing a maddening jumble of anachronisms wherever I went. See here:
- Perhaps my third example of Gardner's use of description fits this purpose. "An old dog dying of mange?" (40). How is Grendel supposed to know that? Perhaps he's spent more time around the humans than I thought. In any case, these weird inconsistencies in what one expects Grendel to know (and not know) kept throwing me off while I was reading.
- "He moved his head as if adjusting his flaking neck to a tight metal collar and put on what looked like, for him, a sober expression, like an old drunk preparing a solemn face for court" (59). Has Grendel been to court? Are there even courts in this barbaric land? I guess it would seem like a fine simile to convey the dragon's expression, but the horrible anachronisms (and perhaps anatopisms) are quite aggravating.
- "Care, take care of the gold-egg-laying goose! There is no limit to desire but desire's needs. (Grendel's law)" (93). Again, I appreciate the use of this metaphor and reference to that particular goose in Aesop's Fables, but the manner in which the "gold-egg-laying goose" just pops out of the rest of the narrative (which is well-grounded in Nordic imagery and things that would actually exist in such a world) is very disruptive to my enjoyment of the book.
I've read Amy Chen's What are these metaphors? (Shout-out to Calc students!), and though I think sometimes Gardner's metaphors get the meaning across to the reader, I agree with Amy in that some of the metaphors simply do not work. In my case, I believe they don't work because of the sheer inconsistencies and anachronisms presented to the reader, who reads this book with more or less an expectation of a narrator firmly limited in his knowledge by the world around him.
What is your opinion on the anachronisms, anatopisms, and other inconsistencies in Grendel? Do they ruin the reading for you, or do they add enough to the text to outweigh any distraction they've created?